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Liz Mputu & /inb4/
2014 - ongoing
The name /INB4/ was inspired by the 4chan-speak for “in before,” originally used to preempt the expected outcome of a thread.
As a platform for creative expression, the group was developed to counter the white cis-heteronormative gaze in mainstream fashion.
“/inb4/ started off as a DIY/Underground ‘virtual magazine by U 4 U’ in the form of a Facebook Group that was meant 2 b an antithesis to the culture praised in online spaces like Rookie Mag, Dazed, Vice, and the like...which seemed to mostly highlight niche cool yt young hot artists who didn’t really portray what it was like for me and people like me to be involved in a DIY scene. I was living in Chicago a few years back and at the time a lot of my energy was spent in queer nightlife where the looks of my friends and strangers who would frequent spaces like Berlin Nightclub, the Dustbowl, parties in Pilsen, at Parker Bright’s house, Smartbar, and elsewhere constantly inspired me. I remember hanging out with someone one day, picking up a FRUiTS book and thinking ‘damn, that’s my life, these are my friends. Let’s make a virtual version of this.’” — Liz Mputu
The group’s moderators have devoted considerable thought and discussion to the question of how to create a safe space for users while navigating Facebook’s conservative content rules.
This has led to moments of disjuncture and transition in the group’s direction, including the creation of an “After Hours” portion for nude selfies.
Image by Liz Mputu
“wen censoring ExplicitContent online AsDetermined by the InconsistentStandards of YtMansLaw, it isnt necessarily advantageous 2 KeepVisible EvidenceofTrauma that re-traumatizes individuals n perpetuates SystemsofOppression&Violence thru its normalization.” — Liz Mputu
“(FIRST>VirtualMag (by u 4 u) .inb4 teh resttt.” —/INB4/
Conflict has also emerged over the presence of abusers in the group. Through these experiences, moderators have realized the need to intervene actively and make decisions about inclusion and exclusion.
“...when conflicts intensify judgments and stereotypes become more rigid & people get a twisted boost to their sense of self by disparaging others,” Maya Bayhan writes, “creating a cycle that can only be broken by removing the loudest negative voice.”
Due to the nature of the group, it is not appropriate to create a public archive of it. Instead, to mark its inclusion in the online exhibiton, Mputu organized an IRL reunion party in New York in fall 2018.